Portfolio

a line of best fit Part II, 2021
Photo Brenton McGeachie
a line of best fit Part I, 2020.
Photo Brenton McGeachie
I am here, I am here, I am here, 2018-2021
Photo Brenton McGeachie
timestamps, 2018
Photo Dierdre Pearce
out of time, out of place, 2017-2018
Photo Brenton McGeachie
my digital’s 3D shadow, 2017-2018
Photo Brenton McGeachie.
the mother sea, 2017, with Kate Williams and Alison Moeller. Photo Dierdre Pearce.
Merz work, 2015-
Photo Brenton McGeachie
hindsight, 2016
Photo Dierdre Pearce
embodied numbers, 2016-
Photo Brenton McGeachie
Dierdre Pearce, three walks in early winter, 2015. Found objects, wire, polyvinyl tubing, cotton yarn. Photograph Brenton McGeachie.
soft data, 2015
Photo David Paterson
Dierdre Pearce, sampler, 2014 (detail). Torn pages from visual diaries, foam core, pins. Photograph David Paterson. Dierdre Pearce, sampler, 2014 (detail). Photograph David Paterson.
rendering memory, 2014
Photo David Paterson
Dierdre Pearce, conservation of momentum (space), 2013. Washi tape on Wenzhou paper. Photograph Brenton McGeachie.
chapter, 2013
Photo Brenton McGeachie
dis-placed, 2013
Photo Amelia Zaraftis
7 days & 7 nights, 2013
Photo Dierdre Pearce

© Dierdre Pearce