Portfolio

a line of best fit (2020-2021).
photo Brenton McGeachie.
I am here, I am here, I am here (2018-2021). Photo Brenton McGeachie.
timestamps (2018). Photo Brenton McGeachie
out of time, out of place (2017-2018).
Photo Brenton McGeachie.
my digital’s 3D shadow (2017-2018).
Photo Brenton McGeachie.
the mother sea (2017). With Kate Williams and Alison Moeller. Photo Dierdre Pearce.
Merz work (2016- ). Photo Brenton McGeachie.
hindsight (2015). Photo Dierdre Pearce.
embodied numbers (2015- ).
Photo Brenton McGeachie.
Dierdre Pearce, three walks in early winter, 2015. Found objects, wire, polyvinyl tubing, cotton yarn. Photograph Brenton McGeachie.
soft data (2015). Photo David Paterson.
Dierdre Pearce, sampler, 2014 (detail). Torn pages from visual diaries, foam core, pins. Photograph David Paterson. Dierdre Pearce, sampler, 2014 (detail). Photograph David Paterson.
rendering memory (2014).
Photo David Paterson.
Dierdre Pearce, conservation of momentum (space), 2013. Washi tape on Wenzhou paper. Photograph Brenton McGeachie.
chapter (2013). Photo Brenton McGeachie.
dis-placed (2013). Photo Amelia Zaraftis.
7 days & 7 nights (2013). Photo Dierdre Pearce